"A Werewolf and a Girl" Released: November 20, 2024
"The Pool House" Released: January 15, 2025
Exploding Trees & Airplane Screams is the fourth studio album by American singer Patterson Hood. It was released on February 21, 2025, in LP, CD, and digital formats, by ATO Records.[1]
Background
Exploding Trees & Airplane Screams was written with inspiration from memories of Hood's earlier years, including those of his relationship, his fascination with Pinocchio, and attended parties.[1] Centering on the theme of introspection of his childhood until his early adulthood,[2] the album features the work of artists such as Katie Crutchfield and Steve Berlin.[1] In an interview with PopMatters, Hood mentioned that some of the songs were written between 1970 and 1994 while several others were written during the COVID-19 lockdown.[3] Hood's piano performance in the album was his first on a recorded project.[2]
Consisting of ten songs, Exploding Trees & Airplane Screams is Hood's first album since Heat Lightning Rumbles in the Distance in 2012.[4] It was produced by his long-time friend and multi-instrumentalist Chris Funk, at several locations in Georgia and Oregon, including Chase Park Transduction in Athens, JackPot Studio, and the Panther in Portland.[1]
The lead single, "A Werewolf and a Girl", was released on November 20, 2024, and features singer Lydia Loveless.[5][6] Hood wrote it in August 2021 about a relationship with his significant other during his time in high school.[7] On January 15, 2025, Hood released the album's second single, "The Pool House", featuring a music video directed by Frances Thrasher, who also designed the album cover art.[8]
AllMusic described the album as "the most carefully crafted and cohesive solo effort Hood has released to date," and rated it four out of five.[1] Stephen M. Deusner of Pitchfork stated in his review of the album that "Exploding Trees & Airplane Screams is about the perspective that adulthood brings: the ability to comprehend all the small tragedies that happened (and are happening) around us, not least of which is the distance that imposes itself between our current selves and our foundational memories."[11]Slant Magazine noted that "the melodic, piano-based songwriting and lush, evocative orchestrations that are abundant throughout represent a level of sonic exploration that Hood has never approached before," giving Exploding Trees & Airplane Screams four stars out of five.[4] Andrew Sacher of BrooklynVegan remarked that the composition of the album featured "some gentle acoustic guitar, the occasional fuzzed-out electric, horns, vintage analog synths, and some sweeping string arrangements,"[14] while No Depression referred to it as "a powerhouse set from an artist who doesn't conflate self-assuredness with complacency."[15]Paste Magazine assigned it a rating of 7.8 out of ten, calling it "an expansive but subtle collection of songs that include strings, woodwinds and analog synthesizers."[2]
