Films and Filming (1954–1980, 1981–1990) was a highly regarded monthly film journal[1] that was, as well, the longest-running British periodical focused on a gay print audience prior to partial decriminalisation of homosexuality in England and Wales.[2][better source needed]
History
This section needs expansion with: a more complete history, based on broadened sources including secondary and tertiary, that includes the matter of its social acceptability pre-decriminialisation, the enterprises' leadership and writing talent, and its evolving content (film-focused and gay audience-directed), covering both periods of the journal's operation. You can help by adding to it. (December 2024)
Founded in October 1954 "from a dingy basement near Victoria Station in London",[3][2]Films and Filming was a mainstream and internationally-respected film journal throughout the 1950s and 1960s, "[m]ore sophisticated than [a] fan magazin[e], but less intellectually demanding than the British Film Institute's Sight and Sound".[2] Produced under the imprint of Hansom Books by publisher Philip Dosse (and a team of editors "almost exclusively gay"), it was part of that publisher's "distinguished portfolio of arts magazines on theatre, ballet, books and art, as well as film".[3] Widely available in bookshops and newsagents, it was the most successful title of Hansom.[2]
Following the Sexual Offences Act 1967, when gay sex was partially decriminalised in England and Wales, the magazine was able to be more open and feature naked men on the cover.[5] Its initial publication run continued through 1980, and after ceasing briefly, began again in 1981, and continued until publication ceased in 1990.[2]
Further reading
Whitehead, P. (2011). ""Films and Filming" Reviews, 1966-1969"(original review reproductions with editorial introduction). Framework: The Journal of Cinema and Media. 52 (1, Spring [Things Fall Apart: Peter Whitehead Issue, Part I]): 224–241. JSTOR41553479. Retrieved 27 December 2024.
Whitehead, P. (2011). ""Films and Filming": Godard Reviews, 1966-1969"(original review reproductions with brief editorial introduction). Framework: The Journal of Cinema and Media. 52 (1, Spring [Things Fall Apart: Peter Whitehead Issue, Part I]): 389–398. JSTOR41553493. Retrieved 27 December 2024.
Bengry, Justin (2011). "The Queer History of Films and Filming"(PDF). Little Joe. 2011 (2, April): 31–41. Retrieved 27 December 2024. The subtitle of the Little Joe work is, "A magazine about queers and cinema, mostly".
Anand, Anita (reporting, narration); Parker, Sara & Elmes, Simon (producers) (7 August 2023). History on the Edge : Films and Filming(documentary with introductory text). BBC Radio 4. London, England: The BBC. Event occurs at 28 mins. (total time). Retrieved 27 December 2024.
^ abFramework Ed. Staff (2011). ""Films and Filming" Reviews, 1966-1969"(original review reproductions with editorial introduction). Framework: The Journal of Cinema and Media. 52 (1, Spring [Things Fall Apart: Peter Whitehead Issue, Part I]). Detroit, MI: Wayne State University Press: 224–241. doi:10.1353/frm.2011.0008. JSTOR41553479. Retrieved 27 December 2024. Unless Peter Whitehead is listed as author, per se, the citation is to editorial introductory material appearing with the article.
^ abAnand, Anita (reporting, narration); Parker, Sara & Elmes, Simon (producers) (7 August 2023). History on the Edge : Films and Filming(documentary with introductory text). BBC Radio 4. London, England: The BBC. Event occurs at 28 mins. (total time). Retrieved 27 December 2024. ...it launched, from a dingy basement near Victoria Station in London in 1954... Anita Anand leafs through historic copies of Films and Filming with one of its regular columnists, David McGillivray. She meets his readers and reveals the hidden story of the magazine's mysterious publisher, Philip Dosse, whose team of editors, almost exclusively gay, ran a distinguished portfolio of arts magazines on theatre, ballet, books and art, as well as film, from that Victoria basement. Unless a timestamp appears indicating the point of the documentary from which information is drawn, it was drawn, rather, from the introductory text appearing at the work's webpage.