Genre
|
Year of composition[1]
|
Opus No.[1]
|
Title[1]
|
Musical forces[1]
|
First performance[1]
|
Notes[1]
|
Addit. refs
|
Piano and keyboard |
1921 |
1 |
Three Pieces for Two Pianos: 1. "On the Warpath"; 2. "Pastoral Scene"; 3. "At the Cinema" |
Two pianos |
London, 2 March 1921 |
No. 3 published also for solo piano |
|
Piano and keyboard |
1921 |
2 |
Sonata in B Minor |
Solo piano |
London, 6 July 1921 |
|
|
Piano and keyboard |
1927 |
9 |
Prelude and Fugue |
Solo piano |
London, 21 June 1927 |
|
|
Piano and keyboard |
1928 |
11 |
Relinquishment |
Solo piano |
Berlin, 1928 |
|
|
Piano and keyboard |
1935 |
|
Theme for Organ |
|
|
One of 4 themes submitted to an Organ Music Society project.[n 1] |
|
Piano and keyboard |
1943 |
38 |
Esquisse: Le Quartorze Juillet |
Solo piano |
London, 17 February 1948, Kyla Greenbaum |
Written in commemoration of the French resistance movement |
|
Piano and keyboard |
1950 |
|
Times of Day: Three children's pieces for piano |
|
|
|
|
Piano and keyboard |
1952 |
40 |
Three English Song Preludes |
Organ |
London, 21 April 1954 |
|
|
Piano and keyboard |
1956 |
46 |
Nocturne: piano solo |
|
London, 21 March 1958 |
Originally in 3 movements, two withdrawn. Piece recomposed as an orchestral work, Op. 60 |
|
Piano and keyboard |
1958 |
49 |
Mister Playford's Tunes - A Little Suite for Piano |
|
|
|
|
Piano and keyboard |
1958 |
50 |
Two Ballads of the Sea : 1. "The Cruel Sea captain"; 2. "Reuben Ranzo" |
Solo piano |
London, 19 November 1961 |
Dedicated to John Ireland |
|
Piano and keyboard |
1960 |
54 |
Suite: On Lawn and Green |
Harpsichord or piano |
Berlin, 1960 |
|
|
Piano and keyboard |
1960 |
56 |
Two Occasional Pieces |
Organ |
|
|
|
Piano and keyboard |
1967 |
65 |
Suite for two pianos |
|
London, 2 September 1967 |
Composed for Soviet Union 50th anniversary concert |
|
Piano and keyboard |
1970 |
71 |
Sonata (No. 2) in A flat: He Epikureia Hedone
|
Solo piano |
Bath, 28 May 1972 |
|
|
Piano and keyboard |
1972 |
76 |
Toccata: Corentyne Kwe-Kwe |
Solo piano |
Bromsgrove, 2 April 1973[n 2] |
|
|
Piano and keyboard |
1972 |
|
Lively Minuet |
Solo piano |
|
|
[3]
|
Piano and keyboard |
1974 |
80 |
Letter Galliard |
Solo piano |
London, 11 January 1976 |
Written as a tribute to Dmitri Shostakovich |
|
Piano and keyboard |
1977 |
84 |
Twenty Four Preludes |
Solo piano |
London, 30 October 1977 |
|
|
Piano and keyboard |
1979 |
90 |
Souvenir D'Une Nuit d'Été |
|
|
A recomposition of two Transcendental Studies by Sergei Lyapunov |
|
Piano and keyboard |
1981–82 |
95 |
Scots Jigganspiel |
Solo piano |
|
|
|
Piano and keyboard |
1983 |
97 |
A Song from the North |
Solo piano |
Altringham, 6 May 1983 |
|
[3]
|
Piano and keyboard |
1980–83 |
99 |
Six Short Pieces for piano |
|
London, 10 January 1986 |
|
|
Piano and keyboard |
1984 |
114 |
Three Easy Five Beat First Year Pieces |
|
Solo piano |
|
|
Piano and keyboard |
1986 |
109a |
Distant Fields |
Solo piano |
|
|
|
Piano and keyboard |
1986 |
113 |
Sonata No. 3 in G (Mixolydian) |
Solo piano |
London 28 October 1986 |
|
|
Piano and keyboard |
1986 |
115 |
Three Pieces For Nancy |
Solo piano |
|
|
|
Piano and keyboard |
1986 |
116 |
Prelude and Concert Piece |
Organ |
Radlett, December 1986 |
|
|
Piano and keyboard |
1986 |
117 |
Suite for Organ |
Organ |
|
|
|
Piano and keyboard |
1987 |
118 |
Sonata for Organ |
Organ |
|
|
|
Piano and keyboard |
1987 |
118a |
Two Études for solo piano |
|
|
|
|
Piano and keyboard |
1987 |
119 |
Sonata No. 4 for solo piano |
|
London 1991 |
|
|
Piano and keyboard |
1987 |
119a |
The Six Modes for piano duet |
|
London 1991 |
|
|
Piano and keyboard |
1987 |
121 |
A Heart's Expression for solo piano |
|
|
Incomplete: dedicated to Nancy Bush |
|
Piano and keyboard |
1987 |
123 |
Two Preludes and Fugues for solo piano |
|
|
|
|
Piano and keyboard |
1988 |
124 |
Two Pieces for solo piano: "Spring Woodland" and "Summer Garden" |
|
|
|
|
Piano and keyboard |
undated |
|
Sonata for pianoforte |
|
|
Incomplete |
[3]
|
Chamber/instrumental |
1923 |
3 |
Phantasy in C minor |
Violin and piano |
London, 24 December 1924 |
|
[5]
|
Chamber/instrumental |
1923 |
4 |
String Quartet in A Minor |
|
London, 4 December 1924 |
Carnegie award from the Royal Academy of Music |
|
Chamber/instrumental |
1923 |
|
Priscilla's Pavane |
Cello and piano |
|
|
[5]
|
Chamber/instrumental |
1924–25 |
5 |
Quartet for Piano, Violin, Viola and Cello |
|
London, 24 May 1927 |
According to N. Bush 2000, two movements had been heard in 1924 – no further details |
|
Chamber/instrumental |
1925–26 |
6 |
Five Pieces for Violin, Viola, Cello, Clarinet and Horn |
|
Berlin, 1928 |
Dedicated to John Ireland |
[5]
|
Chamber/instrumental |
1929 |
15 |
Dialectic for String Quartet |
|
London, 29 March 1935 |
|
|
Chamber/instrumental |
1931 |
13.2 |
Three Contrapuntal Studies |
Violin and Viola |
London, 10 March 1933[5] |
|
|
Chamber/instrumental |
1936 |
17 |
Concert Piece for Cello and Piano |
|
London, January 1937 |
|
|
Chamber/instrumental |
1941 |
22a |
Meditation on a German Song of 1848 |
Violin and Piano |
London, 15 May 1944 |
See also Op. 22 in Concerto section, below |
|
Chamber/instrumental |
1944 |
26 |
Lyric Interlude |
Violin and Piano |
London, 6 January 1945 |
|
|
Chamber/instrumental |
1947 |
31 |
Three Concert Studies |
Piano, Violin and Cello |
London, 13 February 1948 |
|
|
Chamber/instrumental |
1951 |
36 |
Trent's Broad Reaches |
Horn and Piano |
London, 18 January 1955 |
Written as a tribute to Noel Mewton-Wood |
|
Chamber/instrumental |
1951 |
|
Two Easy Pieces |
Cello and Piano |
|
|
|
Chamber/instrumental |
1953 |
42a |
Northumbrian Impressions |
Oboe and Piano |
London, 14 December 1953 |
|
|
Chamber/instrumental |
1954 |
45 |
Autumn Poem |
Horn and Piano |
London, 28 January 1955 |
Written as a tribute to Noel Mewton-Wood |
|
Chamber/instrumental |
1957 |
47 |
Two Melodies for Viola with Piano Accompaniment |
|
London, 8 January 1959 |
|
|
Chamber/instrumental |
1960 |
55 |
Three African Sketches |
Flute and piano |
London, 19 November 1961 |
|
|
Chamber/instrumental |
1961 |
59 |
Three Rậga Melodies |
Solo violin |
Bracknell, 25 April 1980 |
|
|
Chamber/instrumental |
1963–64 |
61 |
Prelude, Air and Dance |
Solo Violin, String Quartet and Percussion |
London, 28 April 1964 |
|
|
Chamber/instrumental |
1965 |
64 |
Two Dances for Cimbalom (Két Tànc) |
|
London, 10 March 1965 |
Commissioned by the British Hungarian Friendship Society (20th anniv. of liberation) |
[5]
|
Chamber/instrumental |
1969 |
70 |
Serenade for String Quartet |
|
London, 17 January 1970 |
Dedicated to Ernst Mayer |
|
Chamber/instrumental |
1974 |
78.1/ 78.2 |
"Song Duet and Introduction" and "Dance Duet" |
Clarinet and Cello with Piano Accompaniment |
Cambridge, April 1974 (Song) and April 1975 (Dance) |
|
[5]
|
Chamber/instrumental |
1974 |
79a |
Suite in English Style for String Ensemble: 1. Pavan; 2. Cheviot Rant; 3. Soliloquy; 4. March |
|
|
|
[5]
|
Chamber/instrumental |
1975 |
81 |
Suite of Six for String Quartet |
|
London, 15 December 1975 |
|
|
Chamber/instrumental |
1975 |
82 |
Sonatina for recorders and piano |
Descant, treble and tenor recorders (one player), and piano |
London, 11 January 1976 |
|
|
Chamber/instrumental |
1978 |
88 |
Sonatina (viola and piano) |
|
London, 10 June 1978 |
|
|
Chamber/instrumental |
1979 |
89 |
Rhapsody for Cello and Piano: Pro Pace et Felicitate Generis Humani |
|
London, 18 May 1979 |
Based on melodies from USA, UK and USSR. Dedicated to the British Bulgarian Friendship Society |
[5]
|
Chamber/instrumental |
1980 |
91 |
Voices from Four Continents: Rondo for Clarinet, Cello and Piano |
|
London, 18 May 1980 |
|
|
Chamber/instrumental |
1980 |
93.2 |
Meditation and Scherzo |
Double Bass and Piano |
London, 11 December 1980 |
|
|
Chamber/instrumental |
1980–81 |
94 |
Concertino for Two Violins and Piano |
|
Aldeburgh, 18 June 1981 |
|
|
Chamber/instrumental |
1983 |
100 |
Summer Fields and Hedgerows: Two Impressions for Clarinet and Piano |
|
|
Dedicated to Nancy Bush |
[5]
|
Chamber/instrumental |
1983 |
105 |
Octet |
Flute, Clarinet, Horn, String Quartet and Piano |
|
|
|
Chamber/instrumental |
1984–85 |
104 |
Quintet |
String Quartet and Piano |
Birmingham, 12 December 1985 |
|
|
Chamber/instrumental |
1985 |
106 |
Canzona |
Flute, Clarinet, Violin, Cello and Piano |
|
|
|
Chamber/instrumental |
1986 |
108 |
Two Preludes and Fugues for Violin and Piano |
|
|
|
|
Chamber/instrumental |
1986 |
111 |
Serenade and Duet for Violin and Piano |
|
|
According to Alan Bush this work was scored for piano and string orchestra, but no manuscript of this version has been located |
|
Chamber/instrumental |
1986 |
117a |
Song and Dance for Violin and Piano |
|
|
Op. 117 had been allocated by Bush to the Suite for Organ so this became 117a |
|
Chamber/instrumental |
1987 |
118 |
Septet |
Flute, Oboe, Clarinet, Bassoon and String Trio |
|
|
|
Chamber/instrumental |
1987 |
120 |
Sonata for Cello and Piano |
|
|
|
|
Chamber/instrumental |
1988 |
125 |
Summer Valley |
Cello and Piano |
|
|
|
Chamber/instrumental |
undated |
|
Round the World |
Cello and Piano |
|
|
[5]
|
Choral and vocal |
1926 |
7 |
Two Songs for soprano and chamber orchestra: 1. The Moth (Walter de la Mare); 2. Overheard on a Saltmarsh (Harold Monro) |
|
|
|
[6]
|
Choral and vocal |
1927 |
|
Two Songs for voice and piano: 1. The Lake Isle of Innisfree; 2. Down by the Salley Gardens (both W. B. Yeats |
|
London, 15 June 1927 |
|
[6]
|
Choral and vocal |
1927–28 |
10 |
"Song to the Men of England" |
Unaccompanied SATB chorus |
|
Text by Percy Bysshe Shelley. Written for the London Labour Choral Union. |
[7]
|
Choral and vocal |
1928 |
|
Cradle Song for an Unwanted Child |
Voice and piano |
|
Text by Randall Swingler |
[6]
|
Choral and vocal |
1929 |
13 |
Song: "The Road" |
Unaccompanied SATB chorus |
|
|
[7]
|
Choral and vocal |
1932–33 |
14 |
Songs of the Doomed - four songs and an epilogue |
Tenor (or baritone), female chorus (SSAA) and piano |
London, 8 March 1933 |
Text: poems by F.C. Boden |
[6]
|
Choral and vocal |
1939 |
19 |
The Prison Cycle, also known as Pages from "The Swallow Book") |
Mezzo-Soprano and piano |
London, 15 December 1939 |
Co-written with Alan Rawsthorne |
|
Choral and vocal |
1942 |
|
"Toulon" |
Mezzo-Soprano with SATB chorus and piano |
London, 26 May 1943 |
|
|
Choral and vocal |
1943 |
|
"Freedom on the March" |
Solo voice, mixed chorus and Symphony Orchestra |
London, 27 June 1943 |
|
[8]
|
Choral and vocal |
1946 |
29 |
Cantata: The Winter Journey |
Soprano and baritone soli, SATB chorus, string quintet, harp or piano |
Alnwick, December 1946 |
Text by Randall Swingler |
[8]
|
Choral and vocal |
1947 |
|
Lidice |
Unaccompanied SATB chorus |
Lidice, August 1947 |
|
|
Choral and vocal |
1948 |
|
"Our Song" |
Mezzo-Soprano or baritone solo, SATB chorus and piano accompaniment |
Nottingham, 7 November 1948 |
Commissioned for the opening of the Nottingham Co-operative Arts Centre |
|
Choral and vocal |
1949 |
34 |
"Song of Friendship" |
Bass solo, SATB chorus and orchestra |
London, 6 November 1949 |
Written for the British Soviet Friendship Society |
|
Choral and vocal |
1950 |
35 |
The Dream of Llewelyn Ap Gruffydd |
Male voice chorus and piano |
Treorchy, 11 April 1952 |
|
|
Choral and vocal |
1950 |
|
The People's Paper |
Solo voice, SATB chorus and 0rchestra |
London, 12 February 1950 |
Written in celebratation of the 21st anniversary of The Daily Worker |
[8]
|
Choral and vocal |
1953 |
41 |
Cantata: Voices of the Prophets |
Tenor voice and piano |
London, 22 May 1953 |
Dedicated to Peter Pears and Noel Mewton-Wood |
|
Choral and vocal |
1953 |
|
Ten English Folk Songs |
Mixed voice chorus, with or without piano accompanimant |
|
|
|
Choral and vocal |
1953 |
44 |
Cantata: The Ballad of Freedom's Soldier |
Tenor and bass-baritone soli, SATB chorus and orchestra |
Russe, Bulgaria, 5 April 1962 |
Written in memory of Major Frank Thompson, who died in action in Bulgaria in 1944 |
[8]
|
Choral and vocal |
1957 |
44 |
Part song: "Like Rivers Flowing" |
Unaccompanied SATB chorus |
|
|
|
Choral and vocal |
1958 |
51 |
The World is his Song |
Baritone or mezzo-soprano solo, SATB chorus and instrumental ensemble |
London, 15 February 1959 |
Dedicated to Paul Robeson |
|
Choral and vocal |
1958 |
|
Ballade vom Marsch auf Aldermaston |
Speaker, SATB chorus and instrumental ensemble |
Weimar, 1958 |
|
|
Choral and vocal |
1958 |
|
Nicht den Tod aus der Ferne |
Baritone solo, unison chorus and instrumental ensemble |
Weimar, 1958 |
|
|
Choral and vocal |
1961 |
57 |
Four Seafarers' Songs: 1. "The Ship in Distress"; 2. "Ratcliffe Highway"; 3. "The Greenland Fishery"; 4. "Jack and the Jolly Tar" |
Baritone with piano accompaniment |
London, 19 November 1961 |
|
|
Choral and vocal |
1961 |
|
"Song of the Cosmonaut" |
Baritone solo, and mixed chorus and piano accompaniment |
|
Dedicated to Yuri Gagarin |
|
Choral and vocal |
1961 |
|
"The Tide That Will Never Turn " |
Two speakers, bass or baritone solo, SATB Chorus |
London, 1 April 1961 |
Text by Hugh MacDiarmid |
[8]
|
Choral and vocal |
1963 |
62 |
Part song: "During Music" |
Unaccompanied SATB chorus |
London, 4 April 1964 |
|
|
Choral and vocal |
1968 |
66 |
Cantata: The Alps and Andes of the Living World |
Speaker, tenor solo, SATB chorus and orchestra |
Dartington, 9 August 1968 |
Incorporates text by William Shakespeare, Thomas Huxley and Nancy Bush |
[8]
|
Choral and vocal |
1969 |
69 |
Song cycle: The Freight of Harvest |
Tenor and piano |
Dartington, 8 August 1969 |
|
|
Choral and vocal |
1969 |
|
Songs of Asian Struggle |
SATB chorus and piano accompaniment |
London, 17 January 1970 |
|
|
Choral and vocal |
1971 |
72 |
Men of Felling |
Male chorus with piano accompaniment |
Newcastle, 15 October 1971 |
|
|
Choral and vocal |
1972 |
|
Carol: "The Earth Awakening"' |
Female chorus with organ accompaniment |
Cambridge, 18 December 1972 |
|
|
Choral and vocal |
1972 |
|
Part song: "Earth has Grain to Grow " |
Unaccompanied SATB chorus |
|
Text by Cecil Day Lewis |
|
Choral and vocal |
1972 |
75 |
Part song: "Song for Angela Davis " |
Unaccompanied SATB chorus or unison song with piano accompaniment |
Sheffield, 25 August 1972 |
|
|
Choral and vocal |
1958, 1961, 1974 |
79 |
Song cycle: Life's Span |
Mezzo-soprano and piano |
Bromsgrove, 4 April 1973 |
|
|
Choral and vocal |
1973 |
85 |
Africa is My Name |
Mezzo-soprano solo, SATB chorus, piano or orchestra |
Sheffield, 20 August 1976 |
|
|
Choral and vocal |
1976–77 |
86 |
Song cycle: De Plenos Poderes |
Baritone and piano |
London, 30 October 1977 |
|
|
Choral and vocal |
1977 |
87 |
Song cycle: Woman's Life |
Soprano and piano |
Woking, 12 February 1978 |
|
|
Choral and vocal |
1980 |
92 |
Two Shakespeare Sonnets (nos 18 and 60) |
Baritone and chamber orchestra |
London, 5 August 1981 |
|
|
Choral and vocal |
1985 |
102 |
The Earth in Shadow |
SATB chorus and orchestra |
London, 1985 |
|
|
Choral and vocal |
1985 |
101 |
Turkish Workers' Marching Song |
Unison Chorus, Flute, Clarinet, Trumpet, Tenor Trombone, Piano, Timpani (optional) and Percussion |
|
|
|
Choral and vocal |
1985 |
110 |
Mandela Speaking |
Baritone solo, SATB chorus, orchestra or piano |
London, 1985 |
|
|
Choral and vocal |
undated |
|
Cantata: The Youth Railway |
Soprano and baritone solo, mixed chorus, acc. string quintet with harp or piano |
|
|
|
Orchestral/Concerto |
1922 |
|
Festival March for Chamber Orchestra |
2 cornets in Bb, 2 horns, timpani, percussion (2), strings and organ |
London, 17 July 1922 |
Unpublished work, a contribution to "A Wreath of A Hundred Roses" by Louis Napoleon Parker to mark the Royal Academy of Music centenary |
[9]
|
Orchestral/Concerto |
1926–27 |
8 |
Symphonic Impressions for Orchestra |
|
London, 15 November 1929 |
|
[9]
|
Orchestral/Concerto |
1935 |
12 |
Dance Overture |
|
London, 30 August 1935 |
|
|
Orchestral/Concerto |
1935–37 |
18 |
Piano Concerto |
|
London, 4 March 1938 (BBC broadcast) |
Last movement uses text by Randall Swingler |
|
Orchestral/Concerto |
1939-40 |
21 |
Symphony No. 1 in C |
|
London, 24 July 1942 |
Last movement revised as Defender of the Peace - Character Study for Orchestra, Op. 39 (1952)
|
Orchestral/Concerto |
1941 |
22 |
Meditation on a German Song of 1848 |
Solo Violin and String Orchestra |
6 December 1941 |
|
|
Orchestral/Concerto |
1942 |
23 |
Overture: Festal Day (later retitled Birthday Overture) |
|
London, 12 October 1942 |
Written for Ralph Vaughan Williams's 70th birthday |
|
Orchestral/Concerto |
1942 |
24 |
Fantasia on Soviet Themes |
|
London, 27 July 1945 |
|
|
Orchestral/Concerto |
1946 |
25 |
Overture: "Resolution" |
|
Bedford, 1 February 1946 |
Based on Prologue for a Workers' Meeting for brass band, Op. 16 (1935) |
[9]
|
Orchestral/Concerto |
1945–46 |
27 |
Homage to William Sterndale Bennett |
String Orchestra |
London, 9 February 1946 |
Based on Piano Sonata The Maid of Orleans by William Sterndale Bennett |
[9]
|
Orchestral/Concerto |
1945–46 |
28 |
English Suite |
String Orchestra |
London, 9 February 1946 |
|
|
Orchestral/Concerto |
1946–47 |
30 |
Symphonic Suite: Piers Plowman's Day |
|
Prague, October 1947 (radio broadcast) |
|
|
Orchestral/Concerto |
1946–48 |
32 |
Violin Concerto |
|
London, 25 August 1949 |
Dedicated to Max Rostal who performed the premiere |
|
Orchestral/Concerto |
1949 |
33 |
Symphony No. 2: "The Nottingham Symphony" |
|
Nottingham, 27 June 1949 |
commissioned by the Nottingham Co-operative Society to celebrate 500th anniversary of the city's founding |
|
Orchestral/Concerto |
1952 |
37 |
Concert Suite for Cello and Orchestra |
|
Budapest, 1952 |
|
|
Orchestral/Concerto |
1952 |
39 |
Defender of the Peace – Character Study for Orchestra |
|
Vienna, 24 May 1952 |
Re-composition of last movement of Symphony No. 1, Op. 21 (1939–40) |
[9]
|
Orchestral/Concerto |
1955 |
|
Allegro Molto |
|
London, 16 May 1955 |
Part of a set of variations by eight composers on a theme by Alfred Scott-Gatty |
|
Orchestral/Concerto |
1959 |
52 |
Dorian Passacaglia and Fugue for Orchestra |
|
London, 10 June 1961 |
|
|
Orchestral/Concerto |
1959–60 |
53 |
Symphony No. 3: "The Byron Symphony" |
Orch. with baritone and SATB chorus |
Leipzig, 20 March 1962 |
G. F. Handel prize work, presented by the City Council of Halle in 1962 |
[9]
|
Orchestral/Concerto |
1961 |
58 |
"For a Festal Occasion", for Organ and Orchestra |
|
Hereford, 3 September 1961 |
An arrangement of Two Occasional Pieces for Organ, Op. 56 (1960) |
|
Orchestral/Concerto |
1962 |
60 |
Variations, Nocturne and Finale on an English Sea-Song |
Piano and Orchestra |
Cheltenham, 7 July 1965 |
Originally written as piano solo: Nocturne, Op. 46 (1956) |
[9]
|
Orchestral/Concerto |
1965 |
63 |
Partita Concertante |
|
Dartford, May 1975 |
|
|
Orchestral/Concerto |
1968 |
67 |
"Time Remembered" for Chamber Orchestra |
|
Cheltenham, 8 July 1969 |
|
|
Orchestral/Concerto |
1969 |
68 |
Scherzo for Wind Orchestra with Percussion |
Brass, wind and percussion |
London, 29 July 1969 |
|
|
Orchestral/Concerto |
1972 |
73 |
Africa – Symphonic Movement |
Piano and Orchestra |
Halle, 16 October 1972 |
|
|
Orchestral/Concerto |
1971–72 |
74 |
Concert Overture for an Occasion |
|
London, 5 July 1972 |
Written for RAM sesquicentennial (150 yrs) celebrations |
|
Orchestral/Concerto |
1973 |
77 |
The Liverpool Overture |
|
Liverpool, 1 May 1973 |
Commissioned by Liverpool trades Council for their 125th anniversary |
|
Orchestral/Concerto |
1973 |
78 |
Festival March of British Youth |
Wind Orchestra, Guitars, Percussion and Double Bass |
Berlin, August 1973 |
|
|
Orchestral/Concerto |
1981–82 |
96 |
Song and Dance for Junior String Orchestra |
|
|
|
|
Orchestral/Concerto |
1982–83 |
98 |
Symphony No. 4 - '"Lascaux Symphony" |
|
Manchester, 25 March 1986 |
Inspired by a visit to the prehistoric cave paintings at Lascaux, France |
[9]
|
Orchestral/Concerto |
1985 |
107 |
Meditation for Orchestra in Memory of Anna Ambrose |
|
|
|
|
Orchestral/Concerto |
1986 |
109 |
Song Poem and Dance Poem |
Piano and String Orchestra |
|
|
|
Brass, wind and pipes |
1930 |
12a |
Dance Overture for Military Band |
|
London, 25 April 1931 |
|
|
Brass, wind and pipes |
1935 |
16 |
Prologue to a Workers' Meeting, for Brass Orchestra |
|
|
Later re-written as the "Resolution" Overture for Orchestra, Op. 25 (1943) |
[10]
|
Brass, wind and pipes |
1942 |
20 |
"Russian Glory" for military band |
|
London, 15 March 1943 |
Based on "Song of the Fatherland" (Isaac Dunayevsky) and the Trio from "Song of Stalin" (Aram Khachaturian) |
[10]
|
Brass, wind and pipes |
1942 |
|
Fantasia on Soviet Themes for Military Band |
|
London, 15 March 1943 |
"Dedicated in affectionate homage to Madame Agnes Maisky, for so long the gracious representative of the Soviet People, as a humble tribute to whom this work is designed." |
[10]
|
Brass, wind and pipes |
1945–46 |
|
"The Cutty Wren" |
Brass band |
|
Arrangement |
[10]
|
Brass, wind and pipes |
1953 |
42 |
Three Northumbrian Impressions for Northumbrian Small Pipes |
|
London, 28 October 1979 |
See also "Northumbrian Impressions for Oboe and Piano", Op. 42a |
|
Brass, wind and pipes |
1953 |
43 |
Pavane for the Castleton Queen, for Brass Band |
|
Castelton, Derbyshire, 1953 |
|
|
Brass, wind and pipes |
1976 |
83 |
Suite for pipes: "Compass Points" |
Treble, alto, tenor and bass bamboo pipes |
Canterbury, August 1976 |
|
Stage/screen |
1935 |
|
Ballet: His War or Yours |
3 trumpets, 3 trombones, tuba and percussion |
London, 28 March 1936 |
Scenario by Michael Tippett |
[11]
|
Stage/screen |
1935 |
|
Ballet: Mining |
|
London, undated |
Scenario by Michael Tippett |
[11]
|
Stage/screen |
1940 |
|
Incidental theatre music: The Star Turns Red |
3 trumpets, percussion(2), violin and piano |
London, 12 March 1940 |
Incidental music to the play by Seán O'Casey at the Unity Theatre |
|
Stage/screen |
1942 |
|
Incidental theatre music: The Duke in Darkness |
|
London, 8 October 1942 |
Incidental music to the play by Patrick Hamilton at the Aldwych Theatre |
|
Stage/screen |
1946 |
|
Operetta The Press Gang or The Escap'd Apprentice |
|
St.Christopher's School, Letchworth, 7 March 1947 |
Operetta for children, text by Nancy Bush |
|
Stage/screen |
1947 |
|
Incidental theatre music: Macbeth (Shakespeare) |
|
London, 18 December 1947 |
Aldwych Theatre production by Michael Redgrave |
|
Stage/screen |
1948–50 |
|
Opera: Wat Tyler |
|
Leipzig, 6 September 1953 |
Libretto: Nancy Bush. Commissioned by the Arts Council of Great Britain in the Festival of Britain Opera Competition |
|
Stage/screen |
1953–55 |
|
TV film music: Hiroshima |
Flute and harp |
BBC transmission 15 August 1951 |
|
|
Stage/screen |
1953 |
|
Operetta The Spell Unbound |
|
Bournemouth, 6 March 1955 |
Operetta for girls. Text by Nancy Bush |
|
Stage/screen |
1954–55 |
|
Opera: Men of Blackmoor |
|
Weimar, 18 November 1956 |
Libretto: Nancy Bush |
|
Stage/screen |
1961 |
|
Operetta The Ferryman's Daughter |
|
Letchworth, 6 March 1964 |
Operetta for schools. Text by Nancy Bush |
|
Stage/screen |
1962–65 |
|
Opera: The Sugar Reapers |
|
Leipzig, 11 December 1966 |
Also known as Guyana Johnnie. Libretto: Nancy Bush |
|
Stage/screen |
1965–67 |
|
Opera: Joe Hill - The Man Who Never Died |
|
Berlin, 29 September 1970 |
Libretto: Barry Stavis |
|
Stage/screen |
1971 |
|
Film soundtrack: Fifty Fighting Years |
Piano, percussion, strings and chorus |
Film premiere National Film Theatre, London, 10 June 1973 |
|
|
Pageant |
1934 |
|
"The Pageant of Labour" |
Mixed chorus and orchestra |
London, 15 October 1934 |
Organised by the Central Women's Organisation Committee to the London Trades Council. |
[12]
|
Pageant |
1938 |
|
"Towards Tomorrow" - A Pageant of Co-operation |
Mixed chorus and military band |
London, 2 July 1938 |
Performed by members of the London/South Suburban/Watford Co-operative Societies |
|
Pageant |
1939 |
|
"Festival of Music for the People" |
Brass, woodwind, percussion and organ |
London, 1 April 1939 |
|
|
Pageant |
1946 |
|
"The Living English" |
SATB choir, children's chorus, small orchestra |
London, 26 October 1946 |
Part of the 1946 Folk Song and Dance Festival |
[12]
|
Pageant |
1948 |
|
Communist Manifesto Centenary Pageant |
Mixed choir and military band |
London, April 1948 |
|
|