『ゲオルク・ギーゼの肖像』（ゲオルク・ギーゼのしょうぞう、独: Der Kaufmann Georg Gisze、英: Portrait of Georg Giese）は、ドイツ・ルネサンス期の画家ハンス・ホルバインが1532年に板上に油彩で制作した絵画である[1][2][3]。 1530年代にホルバインがハンザ同盟の商人たちを描いた一連の肖像画のうちの1点である。これらの一連の肖像画は、商人階級が世界的に進出していった時期に彼らの重要性が増大していたことを示唆している。作品は現在、絵画館 (ベルリン) に所蔵されている[1][2][3]。
^Honig, E.A., Painting & the Market in Early Modern Antwerp, Yale University Press, 1998, pp 6–10
^Fudge, J.F., Commerce and Print in the Early Reformation, Brill, 2007, p.110
^Holman, T.S., "Holbein's Portraits of the Steelyard Merchants: An Investigation," Metropolitan Museum Journal, vol. 14, 1980, pp 139–158; The eight portraits are those that art historians agree were painted by Holbein, however the artist may also have painted other portraits of merchants, such as that of Johann Schwarzwald, which is often attributed to Holbein
^Honig, E.A., Painting & the Market in Early Modern Antwerp, Yale University Press, 1998, pp 6–10
^Fudge, J.D., Commerce and Print in the Early Reformation, BRILL, 2007, p 110
^Panayi, P., Germans in Britain Since 1500, A&C Black, 1996, p. 19
^Fudge, J.D., Commerce and Print in the Early Reformation, BRILL, 2007, pp 110–112
^Gassendi, P. and Thill, O., The Life of Copernicus (1473–1543), p. 179; these authors suggest that Georg and his brother, Tiedemann may have been cousins to Copernicus
^Holman, T.S., "Holbein's Portraits of the Steelyard Merchants: An Investigation," Metropolitan Museum , Journal, vol. 14, 1980, pp 142–143
^MacGregor, N., Germany: Memories of a Nation, Penguin, 2014, [E-book edition]; Michael. E., Hans Holbein the Younger: A Guide to Research, p. 440
^Holman, T.S., "Holbein's Portraits of the Steelyard Merchants: An Investigation," Metropolitan Museum , Journal, vol. 14, 1980, p. 142
^Buck, S., Aston, and Murray, C. Hans Holbein, 1497/98-1543, Könemann, 1999, p. 131; Holman, T.S., "Holbein's Portraits of the Steelyard Merchants: An Investigation," Metropolitan Museum , Journal, vol. 14, 1980, pp 141–143
^Holman, T.S., "Holbein's Portraits of the Steelyard Merchants: An Investigation," Metropolitan Museum , Journal, vol. 14, 1980, pp 141–143
T. Andratschke: Deme Ersamen syriacuß Kallen te Lunde up Staelueff sy desse breff, in: Praxis Geschichte 1/2001
Hermann Freytag: Das Bildnis eines Danzigers, von Hans Holbein gemalt, in: Zeitschrift des Westpreussischen Geschichtsvereins 40/1899, Seite 107–115
Gemäldegalerie Berlin / Staatliche Museen zu Berlin – Preußischer Kulturbesitz: 200 Meisterwerke. Berlin 1998, S. 108–111.
Kurt Löcher: Der Londoner Stahlhof und Hans Holbein, in: Cord Meckseper (Hg.), Stadt im Wandel. Kunst und Kultur des Bürgertums in Norddeutschland 1150–1650, Stuttgart-Bad Cannstatt 1985, Band 3, Seite 667f.
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