| Название
|
Год
|
Коллекция
|
Примечание
|
| Andromeda |
1930 |
|
|
| The Average Bureaucrat |
1930 |
|
|
| The Bleeding Roses |
1930 |
|
|
| Chocolate |
1930 |
|
|
| Consequences: Dalí, Gala Eluard, Valentine Hugo, André Breton |
1930 |
|
|
| The Feeling of Becoming |
1930 |
|
|
| The Font |
1930 |
|
|
| The Ghost of the Evening |
1930 |
|
|
| Gradiva (Study for «The Invisible Man») |
1930 |
|
|
| The Great Masturbator — Frontispiece for «The Visible Woman» |
1930 |
|
|
| The Hand |
1930 |
|
|
| Head of Hair |
1930 |
|
|
| Invisible Sleeping Woman |
1930 |
|
|
| Invisible Sleeping Woman |
1930 |
|
|
| Oedipus Complex |
1930 |
|
|
| Paranoiac Woman-Horse |
1930 |
|
|
| Portrait of Mr. Emilio Terry (unfinished) |
1930 |
|
|
| Premature Ossification of a Railway Station |
1930 |
|
|
| Pyre. Poster Design for the th Anniversary of the French Communist Party |
1930 |
|
|
| The Red Tower (Anthropomorphic Tower) |
1930 |
|
|
| Study for «The Dream» |
1930 |
|
|
| Study for «Invisible Sleeping Woman, Horse, Lion» |
1930 |
|
|
| Study for «Invisible Sleeping Woman, Horse, Lion» |
1930 |
|
|
| Tactile Cinema |
1930-31 |
|
|
| Без названия — Feminine Nude — Frontispiece of «La Femme Visible» |
1930 |
|
|
| Vertigo |
1930 |
|
|
| William Tell |
1930 |
|
|
| Board of Demented Associations (Fireworks) |
1931 |
|
|
| Combinations (or The Combined Dalínian Phantasms: Ants, Keys, Nails) |
1931 |
|
|
| Diurnal Illusion: the Shadow of a Grand Piano Approaching |
1931 |
|
|
| The Dream |
1931 |
|
|
| Erotic Drawing |
1931 |
|
|
| Figure Clock |
1931 |
|
|
| Gradiva |
1931 |
|
|
| Gradiva Finds the Anthropomorphic Ruins |
1931 |
|
|
| Landscape |
1931 |
|
|
| Le Spectre et le Fantome |
1931 |
|
|
| Mme. Reese |
1931 |
|
|
| The Old Age of William Tell |
1931 |
|
|
| Olive |
1931 |
|
|
| On the Seashore |
1931 |
|
|
| Paranoiac Visage — Postcard Sent by Picasso to Dalí |
1931 |
|
|
| Partial Hallucination. Six apparitions of Lenin on a Grand Piano |
1931 |
|
|
| Постоянство памяти |
1931 |
MoMA |
|
| Portrait of Gala |
1931 |
|
|
| Remorse or Sunken Sphinx |
1931 |
|
|
| Shades of Night Descending |
1931 |
|
|
| Solitude |
1931 |
|
|
| Symbiosis of a Head of Seashells |
1931 |
|
|
| Untided (William Tell and Gradiva) |
1931 |
|
|
| Без названия |
1931 |
|
|
| Без названия — Erotic Drawing |
1931 |
|
|
| Vegetable Metamorphosis |
1931 |
|
|
| Woman Sleeping in a Landscape |
1931 |
|
|
| They Were There |
1931 |
|
|
| Agnostic Symbol |
1932 |
|
|
| Anthropomorphic Bread |
1932 |
|
|
| Anthropomorphic Bread |
1932 |
|
|
| Automatic Beginning of a Portrait of Gala (unfinished) |
1932 |
|
|
| The Average Fine and Invisible Harp |
1932 |
|
|
| Babaouo — Publicity Announcement for the Publication of the Scenario of the Film |
1932 |
|
|
| The Birth of Liquid Desires |
1932 |
|
|
| The Birth of Liquid Fears |
1932 |
|
|
| Detail of «Meditation on The Harp» |
1932-34 |
|
|
| Утренние фантазии |
1932 |
Музей Сальвадора Дали (Сент-Питерсберг) |
|
| The Dream Approaches |
1932-33 |
|
|
| Eggs on the Plate Without the Plate |
1932 |
|
|
| Eggs on the Plate Without the Plate |
1932 |
|
|
| Figure Study for «William Tell» |
1932 |
|
|
| Frontispiece for «Le Revolver Ii, Cheveux Blancs» by André Breton |
1932 |
|
|
| Gradiva |
1932 |
|
|
| Незримый человек |
1932 |
Центр искусств королевы Софии |
|
| The Knight at the Tower |
1932 |
|
|
| The Meeting of the Illusion and the Arrested Moment — Fried Eggs Presented in a Spoon |
1932 |
|
|
| Memory of the Child-Woman |
1932 |
|
|
| The Mysterious Sources of Harmony |
1932-33 |
|
|
| Nostalgia of the Cannibal |
1932 |
|
|
| Ordinary French Loaf with Two Fried Eggs Riding Without a Plate |
1932 |
|
|
| Paranoaic Metamorphosis of Gala’s Face |
1932 |
|
|
| Phosphene of Laporte |
1932 |
|
|
| Portrait of the Viscountess Marie-Laure de Noailles |
1932 |
|
|
| Portrait of Gala |
1932-33 |
|
|
| Preliminary Study for «Portrait of Vicomtesse Marie-Laure Cle Noailles» |
1932 |
|
|
| Studies for «Weaning of Furniture-Nutrition» |
1932-33 |
|
|
| Study for the Nurse in «The Weaning of Furniture-Nutrition» |
1932-33 |
|
|
| Study for «Large Painting» |
1932 |
|
|
| Study for «Meditation on The Harp» |
1932-33 |
|
|
| Study for «Memory of the Child-Woman» |
1932 |
|
|
| Suez |
1932 |
|
|
| Surrealist Architecture |
1932 |
|
|
| Surrealist Essay |
1932 |
|
|
| Surrealist Object Gauge of Instantaneous Memory |
1932 |
|
|
| The True Painting of «The Isle of the Dead» by Arnold Bocklin at the Hour of the Angelus |
1932 |
|
|
| Без названия |
1932 |
|
|
| Без названия (Erotic Drawing) |
1932 |
|
|
| Без названия — Cyclist with a Loaf of Bread on His Head |
1932 |
|
|
| Без названия — Female Figure with Catalonian Bread |
1932 |
|
|
| The Veiled Heart |
1932 |
|
|
| William Tell, Gradiva and The Average Bureaucrat |
1932 |
|
|
| Ambivalent Image |
1933 |
|
|
| Apparition of My Cousin Carolineta on the Beach at Rosas |
1933 |
|
|
| Архитектонический «Анжелюс» Милле[вд] |
1933 |
Центр искусств королевы Софии |
|
| Average Atmospherocepalic Bureaucrat in the Act of Milking a Cranial Harp |
1933 |
|
|
| Bureaucrat and Sewing Machine — Illustration for «Les Chants de Maldoror» |
1933 |
|
|
| The Bust of a Retrospective Woman |
1933 |
|
|
| Cannibalism of Objects (inscribed: Meat Glass, Meat Aeroplane, Meat Spoon, Meat Watch, Meat Head) |
1933 |
|
|
| Cannibalism. Illustrations for «Les Chants De Maldoror» by Lautreamont |
1933 |
|
|
| The Enigma of William Tell |
1933 |
|
|
| Flesh Aeroplane. Illustration for «Les Chants De Maldoror» by Lautreamont |
1933 |
|
|
| Gala and the Angelus of Millet Preceding the Imminent Arrival of the Conical Anamorphoses |
1933 |
|
|
| Geological Destiny |
1933 |
|
|
| Gradiva |
1933 |
|
|
| Illustration for Les Chants de Maldoror by the Count of Lautreamont |
1933-34 |
|
|
| The Judges |
1933 |
|
|
| Knight of Death (variant) |
1933 |
|
|
| Myself at the Age of Ten When I Was the Grasshopper Child |
1933 |
|
|
| Necrophilic Fountain Flowing from a Grand Piano |
1933 |
|
|
| The Phantom Cart |
1933 |
|
|
| The Phantom Cart |
1933 |
|
|
| The Phenomenon of Ecstasy |
1933 |
|
|
| Portrait of Gala with Two Lamb Chops Balanced on Her Shoulder |
1933 |
|
|
| Reverie — Password: Mess Up, All the Slate |
1933 |
|
|
| Soft Watches |
1933 |
|
|
| Study for «The Enigma of William Tell» |
1933 |
|
|
| Study for «Portrait of the Vicomtesse de Noailles» |
1933 |
|
|
| Sugar Sphinx |
1933 |
|
|
| Sugar Sphinx (detail) |
1933 |
|
|
| Surrealist Figure in the Landscape of Port Lligat |
1933 |
|
|
| Surrealist Figures, Joint Drawing by Dalí and Picasso |
1933 |
|
|
| Surrealist Horse — Woman-Horse |
1933 |
|
|
| The Temple of Love |
1933 |
|
|
| The Triangular Hour |
1933 |
|
|
| Two Faces of Gala |
1933-34 |
|
|
| Без названия |
1933-34 |
|
|
| Без названия |
1933 |
|
Study for Parts of «Invisible Harp, Fine and Medium» and Parts of «Skull with Its Lyric Appendage Leaning on a Bedside, Table…»
|
| Без названия |
1933 |
|
Death Outside the Head/Paul Eluard
|
| Aerodynamic Chair |
1934 |
|
|
| Allegory of an American Christmas |
1934 |
|
|
| Apparition of My Cousin Carolinetta on the Beach at Rosas |
1934 |
|
|
| Atavism at Twilight |
1934 |
|
|
| Atavistic Vestiges After the Rain |
1934 |
|
|
| Atmospheric Skull Sodomizing a Grand Piano |
1934 |
|
|
| Bust of Joella Lloyd |
1934 |
|
|
| Cannibalism of the Praying Mantis of Lautreamont |
1934 |
|
|
| Cardinal |
1934 |
|
|
| Conic Anamorphosis |
1934 |
|
|
| Consequences |
1934 |
|
|
| Consequences: Gala Eluard, Dalí, André Breton, Valentine Hugo |
1934 |
|
|
| Consequences: Gala Eluard, Valentine Hugo, André Breton, Dalí |
1934 |
|
|
| Consequences: Valentine Hugo, André Breton, Gala Eluard, Dalí |
1934 |
|
|
| Consequences: Valentine Hugo, Dalí, André Breton, Gala Eluard |
1934 |
|
|
| Eclipse and Vegetable Osmosis |
1934 |
|
|
| Enigmatic Elements in the Landscape |
1934 |
|
|
| Figure — Omelettes |
1934 |
|
|
| Figure and Drapery in a Landscape |
1934 |
|
|
| Figure with Drawers for a Four-part Screen |
1934 |
|
|
| Fossil Cloud |
1934 |
|
|
| Призрак Вермера Делфтского, способный послужить и столом |
1934 |
Музей Сальвадора Дали (Сент-Питерсберг) |
|
| The Ghost of Vermeer van Delft |
1934 |
|
|
| Ghost of Vermeer Van Delft |
1934 |
|
|
| Hairdresser Depressed by the Persistent Good Weather |
1934 |
|
|
| Homage to Millet — for CeciIe, in Friendship |
1934 |
|
|
| The Hour of the Crackled Visage |
1934 |
|
|
| Hysterical and Aerodynamic, Nude — Woman on the Rock |
1934 |
|
|
| The Invisible Harp |
1934 |
|
|
| The Isle of the Dead — Centre, Section — Reconstructed, Compulsive Image, After Becklin |
1934 |
|
|
| The Javanese Mannequin |
1934 |
|
|
| The Knight of Death |
1934 |
|
|
| The Knight of Death (Horseman) |
1934 |
|
|
| The Little Theater |
1934 |
|
|
| Masochistic Instrument |
1934 |
|
|
| Meditation on the Harp |
1934 |
|
|
| Melancholy — to Marcel Remy in Friendship, Salvador Dalí |
1934 |
|
|
| Moment of Transition |
1934 |
|
|
| Morning Ossification of the Cypress |
1934 |
|
|
| Night Spectre on the Beach |
1934 |
|
|
| Omelette About to Be Irreparably Crushed by Hands |
1934 |
|
|
| Omelettes with Dynamic, Mixed Herbs |
1934 |
|
|
| Paranoiac Astral Image |
1934 |
|
|
| Persistence of Fair Weather |
1934 |
|
|
| Portrait of Gala with a Lobster (Portrait of Gala with Aeroplane Nose) |
1934 |
|
|
| Portrait of Rene Crevel (Dedicated to Julien Green) |
1934 |
|
|
| Portrait of Rene Crevel (Man with a Cigarette) |
1934 |
|
|
| Portrait of a Woman |
1934 |
|
|
| The Sense of Speed |
1934 |
|
|
| The Ship |
1934-35 |
|
|
| The Signal of Anguish |
1934 |
|
|
| Skull with Its Lyric Appendage Leaning on a Night Table which Should Have the Exact Temperature of a Cardinal’s Nest |
1934 |
|
|
| The Specter of Sex Appeal |
1934 |
|
|
| The Spectre of the Angelus |
1934 |
|
|
| Study for «Cardinal, Cardinal!» |
1934 |
|
|
| Surrealist Furniture. Preparatory Drawing for Singularities |
1934-35 |
|
|
| Surrealist Knight for a Four-part Screen |
1934 |
|
|
| Surrealist Knights for a Four-part Screen, Centre Right |
1934 |
|
|
| Surrealist Poster |
1934 |
|
|
| Surrealist Warriors for a Four-part Screen, Centre Left |
1934 |
|
|
| Title Unknown — Ghost |
1934 |
|
|
| The Tower |
1934 |
|
|
| Без названия (Desert Landscape) |
1934 |
|
|
| Без названия (Dreams on the Beach) |
1934 |
|
|
| Без названия — Young Girl with a Skull |
1934 |
|
|
| The Weaning of Furniture-Nutrition |
1934 |
|
|
| West Side of the Isle of the Dead — Reconstructed Compulsive Image After Becklin |
1934 |
|
|
| The Angelus of Gala |
1935 |
|
|
| Археологический отголосок «Анжелюса» Милле |
1935 |
Музей Сальвадора Дали (Сент-Питерсберг) |
|
| Don Quixote |
1935 |
|
|
| Drawing for «American Weekly» |
1935 |
|
|
| The Echo of the Vold |
1935 |
|
|
| Exquisite Cadaver |
1935 |
|
|
| Лицо Мэй Уэст, использованное в качестве сюрреалистической комнаты |
1935 |
Чикагский институт искусств |
|
| The Horseman of Death |
1935 |
|
|
| Landscape After De Chirico (unfinished) |
1935 |
|
|
| Mediumnistic-Paranoiac Image |
1935 |
|
|
| The Nostalgic Echo |
1935 |
|
|
| Nostalgic Echo |
1935 |
|
|
| Paranoiac Visage |
1935 |
|
|
| Paranoiac Visage — The Postcard Transformed |
1935 |
|
|
| Paranoiac-Critical Solitude |
1935 |
|
|
| Paranonia |
1935-36 |
|
|
| Poster Project |
1935 |
|
|
| Puzzle of Autumn |
1935 |
|
|
| Soft Cramas and Skull Harp |
1935 |
|
|
| Solitude — Anthropomorphic Echo |
1935 |
|
|
| Study for «Premonition of Civil War» |
1935 |
|
|
| Study for «Premonition of Civil War» |
1935 |
|
|
| Study for «Premonition of Civil War» |
1935 |
|
|
| Study for «Suburbs of a Paranoiac-Critical Town» |
1935 |
|
|
| The Surrealist Mystery of New York I |
1935 |
|
|
| Thought Machine — Illustration for «The Secret Life of Salvador Dalí» |
1935 |
|
|
| Woman in a Hat Sitting on a Beach. Drawing for «American Weekly» |
1935 |
|
|
| Woman with a Head of Roses |
1935 |
|
|
| Ampurdanese Yang and Yin |
1936 |
|
|
| Ant Face. Drawing for the Catalogue Jacket of Dalí's Exhibition at the Alex Reid and Lefevre Gallery in London |
1936 |
|
|
| The Anthropomorphic Cabinet |
1936 |
|
|
| The Ants |
1936-37 |
|
|
| Aphrodisiac Dinner Jacket |
1936 |
|
|
| Aphrodisiac Dinner Jacket |
1936 |
|
|
| Apparition of the Town of Delft |
1936 |
|
|
| Осенний каннибализм |
1936 |
Британская галерея Тейт |
|
| Beach Scene (detail study) |
1936 |
|
|
| Blactric Collars |
1936 |
|
|
| Bread on the Head of the Prodigal Son |
1936 |
|
|
| Bust with Drawers |
1936 |
|
|
| A Chemist Lifting with Extreme Precaution the Cuticle of a Grand Piano |
1936 |
|
|
| The City of Drawers |
1936 |
|
|
| The City of Drawers — Study for the «Anthropomorphic Cabinet» |
1936 |
|
|
| The City of Drawers — Study for the «Anthropomorphic Cabinet» |
1936 |
|
|
| A Couple with Their Heads Full of Clouds |
1936 |
|
|
| A Couple with Their Heads Full of Clouds |
1936 |
|
|
| Cover of «Minotaure» Magazine |
1936 |
|
|
| Decalcomania |
1936 |
|
|
| The Dream places a Hand on a Man’s Shoulder |
1936 |
|
|
| The Forgotten Horizon |
1936 |
|
|
| The Fossilized Automobile of Cape Creus |
1936 |
|
|
| Freudian Portrait of a Bureaucrat |
1936 |
|
|
| Gala’s Head — Rear View |
1936 |
|
|
| Geodesic Portrait of Gala |
1936 |
|
|
| Geological Justice |
1936 |
|
|
| The Great Paranoiac |
1936 |
|
|
| Hands Chair |
1936 |
|
|
| Head of a Woman in the Form of a Battle |
1936 |
|
|
| Hypnagogic Monument |
1936 |
|
|
| Landscape with Girl Skipping Rope |
1936 |
|
|
| Телефон-омар (Телефон-лобстер, Телефон-лангуст) |
1936 |
4 + 6 музеев |
скульптура, существуют одноцветная и цветная версии
|
| Mae West’s Lips Sofa |
1936-37 |
|
|
| The Man with the Head of Blue Hortensias |
1936 |
|
|
| Man with His Head Full of Clouds |
1936 |
|
|
| Messenger in a Palladinian Landscape |
1936 |
|
|
| Морфологическое эхо |
1936 |
|
|
| Морфологическое эхо |
1936 |
|
|
| Necrophiliac Springtime |
1936 |
|
|
| Night and Day Clothes |
1936 |
|
|
| Our Love |
1936 |
|
|
| The Pharmacist of Ampurdan in Search of Absolutely Nothing |
1936 |
|
|
| Singularities (Singularitats) |
1936 |
|
|
| Мягкая конструкция с варёными бобами (Предчувствие гражданской войны) |
1936 |
Художественный музей Филадельфии |
|
| South (Noon) |
1936 |
|
|
| Study for the Cover of «Minotaure», No. |
81936 |
|
|
| Study for «A Couple with Their Heads Full of Clouds» (detail) |
1936 |
|
|
| Study for «Geodesic Portrait of Gala» |
1936 |
|
|
| Study for «Spain» |
1936 |
|
|
| Study of Horsemen |
1936 |
|
|
| Suburbs of a Paranoiac-Critical Town: Afternoon on the Outskirts of European History |
1936 |
|
|
| Солнечный столик[вд] |
1936 |
Музей Бойманса — ван Бёнингена |
|
| Surrealist Composition with Invisible Figures (second version of «Rocks of Llané») |
1936 |
|
|
| Three Young Surrealistic Women Holding in Their Arms the Skins of an Orchestra |
1936 |
|
|
| Венера Милосская с ящиками |
1936 |
Чикагский институт искусств |
|
| Венера Милосская с ящиками |
1936 |
|
|
| The Vertebrate Grotto — Transfer Series |
1936 |
|
|
| White Calm |
1936 |
|
|
| Woman with Drawers |
1936 |
|
|
| Anatomical Studies — Transfer Series |
1937 |
|
|
| Average Pagan Landscape |
1937 |
|
|
| Burning Giraffe |
1937 |
|
|
| Жираф в огне |
1937 |
Базельский художественный музей |
|
| Cannibalism of the Objects |
1937 |
|
|
| Creation of the Monsters |
1937 |
|
|
| Dinner in the Desert |
1937 |
|
|
| Dinner in the Desert Lighted by Giraffes on Fire |
1937 |
|
|
| Drawers Cannibalism |
1937 |
|
Composition with Drawers
|
| Enchanted Beach (Long, Siphon) |
1937 |
|
|
| Herodias |
1937 |
|
|
| How Skyscrapers Will Look in 1987 (Drawing for «American Weekly») |
1937 |
|
|
| The Hysterical Arch |
1937 |
|
|
| Imaginary Portrait of Lautréamont at the Age of Nineteen |
1937 |
|
|
| The Invention of the Monsters |
1937 |
|
|
| Knights of Death |
1937 |
|
|
| Метаморфозы Нарцисса |
1937 |
Тейт Модерн |
|
| Palladio’s Thalia Corridor |
1937 |
|
|
| Perspectives |
1937 |
|
|
| Portrait of Freud |
1937 |
|
|
| Queen Salome |
1937 |
|
|
| Сон (англ. Sleep) |
1937 |
частная |
|
| Study for «The False Inspection» (False Perspective) |
1937 |
|
|
| Study for «The Metamorphosis of Narcissus» |
1937 |
|
|
| Surrealist Dinner on a Bed (Drawing for a Film Project with the Marx Brothers) |
1937 |
|
|
| Surrealist Gondola Above Burning Bicycles (Drawing for a Film Project with the Marx Brothers) |
1937 |
|
|
| Лебеди, отражающиеся в слонах |
1937 |
частная |
|
| Без названия |
1937 |
|
Hysterical Scene
|
| Без названия |
1937 |
|
Lamp with Drawers (Drawing for an interior)
|
| Без названия |
1937 |
|
Standard Lamp With Crutches (Drawing for an interior)
|
| Без названия |
1937 |
|
Woman with a Flower Head
|
| Visions of Eternity |
1937 |
|
|
| The Woman in Flames |
1937 |
|
|
| Apparition of the Figure of Vermeer on the Face of Abraham Lincoln. Study for «The Image Disappears» |
1938 |
|
|
| Явление лица и вазы с фруктами на берегу моря |
1938 |
Уодсворт Атенеум |
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| Beach at Cape Creus with Seated Woman Seen from the Back Mending a Sail and Boat |
1938 |
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| Beach with Telephone |
1938 |
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| Coccyx Women |
1938 |
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| Composition — Two Women with a Town in the Background |
1938 |
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| Debris of an Automobile Giving Birth to a Blind Horse Biting a Telephone |
1938 |
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| Enchanted Beach with Three Fluid Graces |
1938 |
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| The Endless Enigma |
1938 |
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| Face of the Great Cyclopean Cretin |
1938 |
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| Fantastic Beach Scene with Skeleton and Parrot |
1938 |
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| Gradiva |
1938 |
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| Greyhound |
1938 |
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| The Image Disappears |
1938 |
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| Imaginary Figures with a Background of Spanish Monuments (Study for the Costumes for Coco Chanel) |
1938 |
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| Imperial Violets |
1938 |
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| Impressions of Africa |
1938 |
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| Invisible Afghan with the Apparition on the Beach of the Face of Garcia Lorca in the Form of a Fruit Dish with Three Figs |
1938 |
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| Mandolin, Fruit Dish With Pears, Two Figs on a Table |
1938 |
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| Mythological Beast |
1938 |
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| Palladio’s Corridor of Dramatic Surprise |
1938 |
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| Philosopher Reclining |
1938 |
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| Portrait of Sigmund Freud |
1938 |
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| Portrait of Sigmund Freud — Morphology of the Skull of Sigmund Freud. Illustration for «The Secret Life of Salvador Dalí» |
1938 |
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| Spain |
1938 |
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| Study for the Self-portrait in «Impressions of Africa» |
1938 |
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| Study for the Self-portrait in «Impressions of Africa» |
1938 |
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| Study for The Image Disappears |
1938 |
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| Высокое мгновение |
1938 |
Государственная галерея искусств Штутгарта[англ.] |
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| The Transparent Simulacrum of the Feigned Image |
1938 |
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| Без названия |
1938 |
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| Без названия — Figure (unfinished) |
1938-39 |
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| The Warning |
1938 |
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| Actress Betty Stockfeld Is Metamorphosed into a Nurse |
1939 |
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| Apparition of a War Scene on the Face of Lieutenant Deschanel. Cover of «Match» |
1939 |
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| Baby Map of the World |
1939 |
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| Вакханалия |
1939 |
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| Ballerina in a Death’s Head |
1939 |
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| Эскизы к картине «Вакханалия» |
1939 |
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| The Dream of Venus |
1939 |
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| The Enigma of Hitler |
1939 |
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| Freud’s Perverse Polymorph (Bulgarian Child Eating a Rat) |
1939 |
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| Gradiva Becoming Fruits, Vegetables, Pork, Bread, and Grilled Sardine |
1939 |
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| Gradiva, She Who Advances |
1939 |
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| Group of Figures |
1939 |
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| Landscape with Telephones on a Plate |
1939 |
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| Mad Tristan |
1939 |
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| Masked Mermaid in Black |
1939 |
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| Metamorphosis of the Five Allegories of Giovanni Bellini |
1939 |
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| Metamorphosis of a Man’s Bust into a Scene Inspired by Vermeer |
1939 |
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| Metamorphosis of a Man’s Bust into a Scene Inspired by Vermeer |
1939 |
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| Philosopher Illuminated by the Light of the Moon and the Setting Sun |
1939 |
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| Portrait of Gala (unfinished; detail) |
1939 |
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| Portrait of Sigmund Freud from «The Secret Life» |
1939 |
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| Psychoanalysis and Morphology Meet |
1939 |
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| Сценография балета «Вакханалия» |
1939 |
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| Ширли Темпл — самый молодой и самый священный монстр кино своего времени[англ.] |
1939 |
Музей Бойманса — ван Бёнингена |
См. Ширли Темпл
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| Sirens and Graces — Set Design for Dalí's «Bacchanale» |
1939 |
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| The Sphere Attacks the Pyramid. Cover of the Catalogue of the Exhibition at Julien Levy’s in New York. |
1939 |
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| Study for Apparition of a Vermeer Figure on Abraham Lincoln’s Face |
1939 |
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| Study for Portrait of Gala |
1939 |
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| Study for a Ballet Backdrop |
1939 |
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| Telephone in a Dish With Three Grilled Sardines at the End of September |
1939 |
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